4AbEbGbCbEbAb
Fig. 1 · Abm7 · moderate

guitar chord

A♭m7

A♭1C♭♭3E♭5G♭♭7

Minor triad with a minor seventh. The same four notes as a major sixth chord a third above.

Written the other way round it is G♯m7 — the same twelve keys on a piano, a different piece of notation.

on ukuleleon pianothe scale

Every fingering that fits a hand

4
Fig. 2

464444

moderate · barre

Fig. 3

46440x

moderate · barre

Fig. 4

464407

moderate · barre

4
Fig. 5

46444x

moderate · barre

Fig. 6

42440x

hard · no 5

What is true of it

A♭m7 is A♭, C♭, E♭ and G♭ — 1, b3, 5 and b7 counted from A♭.

These are also the notes of B6/A♭. Which name is right depends on what is underneath and what came before — the notes alone do not decide.

On an instrument that cannot reach all 4, the 5 goes first, in that order.

The easiest of the 5 fingerings below is 464444: 2 fingers, one of them barring the 4th fret, held at the 4th fret.

None of them uses an open string, so this chord moves up the neck unchanged — the same shape 1 fret higher is the chord a semitone above.

4 of the 5 need a barre.

Where its notes are on the neck

EADGBE123456789101112b71b35b35b715b71b31b35b7b35b71b3b71b35
Fig. 7 — first 12 frets

The brass dots are A♭, the root. Everything else is a chord tone with its degree printed in it.

With a different note underneath

first inversion

A♭m7/C♭

x21102

second inversion

A♭m7/E♭

xx1102

third inversion

A♭m7/G♭

22110x

An inversion is the same chord with a different note lowest. The name changes to a slash name because the bass is what a listener hears as the foundation.

A♭ in other shapes

A♭7dominant seventhA♭maj7major seventhA♭m(maj7)minor major seventhA♭majorA♭mminorA♭dimdiminished

Cm7C♯m7D♭m7Dm7D♯m7E♭m7Em7Fm7all 374