××DACF
Fig. 1 · Dm7 · open

guitar chord

Dm7

D1F♭3A5C♭7

Minor triad with a minor seventh. The same four notes as a major sixth chord a third above.

on ukuleleon pianothe scale

Every fingering that fits a hand

Fig. 2

xx0211

open

10
Fig. 3

acaaaa

moderate · barre

5
Fig. 4

x57565

moderate · barre

10
Fig. 5

acaaax

moderate · barre

10
Fig. 6

acaaad

moderate · barre

What is true of it

Dm7 is D, F, A and C — 1, b3, 5 and b7 counted from D.

These are also the notes of F6/D. Which name is right depends on what is underneath and what came before — the notes alone do not decide.

On an instrument that cannot reach all 4, the 5 goes first, in that order.

The easiest of the 5 fingerings below is xx0211: 3 fingers, held at the 1st fret.

1 of them use open strings, which is what makes a shape quiet to change to.

4 of the 5 need a barre.

2 strings stay silent.

Where its notes are on the neck

EADGBE123456789101112b35b715b71b351b35b715b71b3b71b35b35b71
Fig. 7 — first 12 frets

The brass dots are D, the root. Everything else is a chord tone with its degree printed in it.

With a different note underneath

first inversion

Dm7/F

100211

second inversion

Dm7/A

x00211

third inversion

Dm7/C

x30211

An inversion is the same chord with a different note lowest. The name changes to a slash name because the bass is what a listener hears as the foundation.

D in other shapes

D7dominant seventhDmaj7major seventhDm(maj7)minor major seventhDmajorDmminorDdimdiminished

Cm7C♯m7D♭m7D♯m7E♭m7Em7Fm7F♯m7all 374