8CGBbEbGC
Fig. 1 · Cm7 · moderate

guitar chord

Cm7

C1E♭♭3G5B♭♭7

Minor triad with a minor seventh. The same four notes as a major sixth chord a third above.

on ukuleleon pianothe scale

Every fingering that fits a hand

8
Fig. 2

8a8888

moderate · barre

Fig. 3

x35046

hard

3
Fig. 4

x35343

moderate · barre

8
Fig. 5

8a888x

moderate · barre

8
Fig. 6

8a88b8

moderate · barre

What is true of it

Cm7 is C, E♭, G and B♭ — 1, b3, 5 and b7 counted from C.

These are also the notes of E♭6/C and D♯6/C. Which name is right depends on what is underneath and what came before — the notes alone do not decide.

On an instrument that cannot reach all 4, the 5 goes first, in that order.

The easiest of the 5 fingerings below is 8a8888: 2 fingers, one of them barring the 8th fret, held at the 8th fret.

None of them uses an open string, so this chord moves up the neck unchanged — the same shape 1 fret higher is the chord a semitone above.

4 of the 5 need a barre.

Where its notes are on the neck

EADGBE1234567891011125b71b3b71b35b35b715b71b351b35b75b71b3
Fig. 7 — first 12 frets

The brass dots are C, the root. Everything else is a chord tone with its degree printed in it.

With a different note underneath

first inversion

Cm7/E♭

xx1313

second inversion

Cm7/G

31101x

third inversion

Cm7/B♭

x1101x

An inversion is the same chord with a different note lowest. The name changes to a slash name because the bass is what a listener hears as the foundation.

C in other shapes

C7dominant seventhCmaj7major seventhCm(maj7)minor major seventhCmajorCmminorCdimdiminished

C♯m7D♭m7Dm7D♯m7E♭m7Em7Fm7F♯m7all 374