××D#AC#F#
Fig. 1 · D#m7b5 · hard

guitar chord

D♯m7♭5

D♯1F♯♭3A♭5C♯♭7

A diminished triad with a minor seventh rather than a diminished one — half diminished, and not the same chord as dim7.

Written the other way round it is E♭m7♭5 — the same twelve keys on a piano, a different piece of notation.

on ukuleleon pianothe scale

Every fingering that fits a hand

Fig. 2

xx1222

hard

11
Fig. 3

bcbbeb

moderate · barre

6
Fig. 4

x6767x

moderate · barre

11
Fig. 5

bcbbxx

moderate · barre

11
Fig. 6

bcbbee

hard · barre

What is true of it

D♯m7♭5 is D♯, F♯, A and C♯ — 1, b3, b5 and b7 counted from D♯.

These are also the notes of F♯m6/D♯ and G♭m6/D♯. Which name is right depends on what is underneath and what came before — the notes alone do not decide.

The easiest of the 5 fingerings below is xx1222: 4 fingers, held at the 1st fret.

None of them uses an open string, so this chord moves up the neck unchanged — the same shape 1 fret higher is the chord a semitone above.

4 of the 5 need a barre.

2 strings stay silent.

Where its notes are on the neck

EADGBE123456789101112b3b5b71b5b71b3b51b3b5b7b5b71b3b71b3b5b3b5b71
Fig. 7 — first 12 frets

The brass dots are D♯, the root. Everything else is a chord tone with its degree printed in it.

With a different note underneath

first inversion

D♯m7♭5/F♯

20122x

second inversion

D♯m7♭5/A

x01222

4
third inversion

D♯m7♭5/C♯

x44645

An inversion is the same chord with a different note lowest. The name changes to a slash name because the bass is what a listener hears as the foundation.

D♯ in other shapes

D♯7dominant seventhD♯maj7major seventhD♯m7minor seventhD♯majorD♯mminorD♯dimdiminished

Cm7♭5C♯m7♭5D♭m7♭5Dm7♭5Em7♭5Fm7♭5F♯m7♭5G♭m7♭5all 374