4×C#F#BD#G#
Fig. 1 · C#11 · moderate

guitar chord

C♯11

C♯1E♯3G♯5B♭7D♯9F♯11

Six notes in theory; in practice the third is usually dropped, because the eleventh sits a half step above it.

Written the other way round it is D♭11 — the same twelve keys on a piano, a different piece of notation.

on ukuleleon pianothe scale

Every fingering that fits a hand

4
Fig. 2

x44444

moderate · barre · no 3

4
Fig. 3

x4444x

moderate · barre · no 3, 5

Fig. 4

x41102

hard · no 3

9
Fig. 5

999a9b

moderate · barre

Fig. 6

x41402

hard · no 3, 5

What is true of it

C♯11 is C♯, E♯, G♯, B, D♯ and F♯ — 1, 3, 5, b7, 9 and 11 counted from C♯.

On an instrument that cannot reach all 6, the 3, 5 and 1 go first, in that order.

The easiest of the 5 fingerings below is x44444: one finger, one of them barring the 4th fret, held at the 4th fret.

None of them uses an open string, so this chord moves up the neck unchanged — the same shape 1 fret higher is the chord a semitone above.

3 of the 5 need a barre.

It leaves out the 3. 6 strings cannot carry 6 notes, and the 3 is the one this chord can lose without changing what it is.

1 string stays silent.

Where its notes are on the neck

EADGBE1234567891011123115b719b719311593115b715b719311b7193115b73115b719
Fig. 7 — first 12 frets

The brass dots are C♯, the root. Everything else is a chord tone with its degree printed in it.

With a different note underneath

first inversion

C♯11/E♯

121102

4
second inversion

C♯11/G♯

444444

third inversion

C♯11/B

x21102

An inversion is the same chord with a different note lowest. The name changes to a slash name because the bass is what a listener hears as the foundation.

C♯ in other shapes

C♯add9added ninthC♯9dominant ninthC♯maj9major ninthC♯majorC♯mminorC♯dimdiminished

C11D11D♯11E♭11E11F11F♯11G♭11all 374